We build rooms and book the talent that fills them — comedians, musicians, DJs, hosts, the ones with a weird idea and the nerve to try it. If a set of ours is right for you, tell us. If you're right for a set of ours, we'll tell you.
Every slot has a purpose and a number. When we reach out, we come with the room, the date, and the pay already in mind. When you reach out, we read what you sent and come back with a slot and a rate that fit. The exception is the Sandbox below — and only if you decide it's worth your time.
A real audience, low stakes, on purpose. It's where you test the bit that isn't ready, run the experiment, work the raw version of the set before it's a set. Comedians already know this room — it's the proving ground. Today the desk books it. Soon you'll come to us: "I want a rawer slot at the open mic." That's the whole idea.
A curated spot in a night we're building — the tight set, the headline, the DJ who carries the room, the host who runs it. We shape the run-of-show around you, put you on the poster, and settle up after. Pay and slot are set when we talk.
Not on the list? That usually means you're exactly the kind of thing we want to try. Tell us anyway.
A few lines is plenty. No account, no forms to chase — this note goes straight to the booking desk, and a real person reads it.
Your pitch is on the desk. We read every one, and we'll come back to {{ sentEmail }} about a slot and what it pays. If the Sandbox is the right first step, we'll say so — and only if it's worth your time.
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